Music in European thought, 1851-1912



Publisher: Cambridge University Press in Cambridge [Cambridgeshire], New York

Written in English
Cover of: Music in European thought, 1851-1912 |
Published: Pages: 414 Downloads: 497
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Places:

  • Europe

Subjects:

  • Music -- Europe -- 19th century -- Philosophy and aesthetics -- Sources,
  • Music -- Europe -- 20th century -- Philosophy and aesthetics -- Sources

Edition Notes

Statementedited by Bojan Bujić.
SeriesCambridge readings in the literature of music
ContributionsBujić, Bojan, 1937-
Classifications
LC ClassificationsML3845 .M973 1988
The Physical Object
Paginationxviii, 414 p. :
Number of Pages414
ID Numbers
Open LibraryOL2395884M
ISBN 100521230500
LC Control Number87025612

History of Europe - History of Europe - The Enlightenment: The Enlightenment was both a movement and a state of mind. The term represents a phase in the intellectual history of Europe, but it also serves to define programs of reform in which influential literati, inspired by a common faith in the possibility of a better world, outlined specific targets for criticism and proposals for . -music was made more widely available and accessible to the general public.-people were learning instruments, so simplistic and easy melodies were being composed for the middle class-more often than not, the wealthy were still employing and commissioning composers-audiences were preferring easy, pleasant, uncomplicated melodies. Fun Music Information-> Europe. This is the most recent information about Europe that has been submitted to amIright. If we have more information about Europe, then we provide a link to the section where it appears (the actual page whenever possible).   The Iliad and Odyssey are two of the most important epic poems in western history, both having a profound effect on the development of written arts and culture. Traditionally these poems are ascribed to Greek poet Homer, although he may simply have written and shaped works which had been in the oral memory of his ancestors.

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Music in European thought, 1851-1912 Download PDF EPUB FB2

This volume, in the series Cambridge Readings in the Literature of Music, is an anthology of original German, French and English writings from the period Throughout the second half of the nineteenth century music continued to be a subject to which philosophers, psychologists, scientists and critics repeatedly addressed by:   This volume, in the series Cambridge Readings in the Literature of Music, is an anthology of original German, French and English writings from the period Throughout the second half of the nineteenth century music continued to be a subject to which philosophers, psychologists, scientists and critics repeatedly addressed : $ This volume, in the series Cambridge Readings in the Literature of Music, is an anthology of original German, French and English writings from the period Throughout the second half of the nineteenth century music continued to be a subject to which philosophers, psychologists, scientists and critics repeatedly addressed themselves.

Get this from a library. Music in European thought, [Bojan Bujić;]. Get this from a library. Music in European thought, [Bojan Bujić;] -- This volume, in the series Cambridge Readings in the Literature of Music, is an anthology of original German, French and English writings from the period Throughout the second half of the.

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A good proportion--more than a third, less than a half--was written in Europe by European composers. A very few items are copyright deposits by European publishers, deposited in America to secure American copyright.

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How has "classical" music influenced "folk" music style and performance and vice versa. In the European context, classical music is the highest class of music. Folk is a position relative to classical music.

Folk music was meant for the common people. ence on American popular music. Until the late 19th century Europe-an-American dance was modeled on styles imported from England and the European continent. Country dances were popular. In the United States the country dance tradition developed into a plethora of urban and rural, elite and lower-class, black and white variants.

The aim of this book can best be described as mid-century stocktaking: this is not a simple affair for several reasons.

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Folk music is embedded in an unwritten, oral tradition, but was increasingly transcribed from the nineteenth century onwards. Many classical composers used folk melodies, and folk has influenced some popular music in Europe. See the list of European folk musics.

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